As part of the 48th edition of the Clermont-Ferrand International Short Film Festival, we had the privilege of attending captivating exchanges with two emblematic figures of French cinema: the actor Slimane Dazi and the screenwriter Delphine Agut. These discussions highlight the importance of the short film as a unique and creative format of expression, revealing their shared passion for an art they consider a true territory of freedom and experimentation.
In this exploration of short films in 2026, we dive into a captivating interview with two emblematic figures of French cinema: Slimane Dazi, an actor known for his versatility, and Delphine Agut, a screenwriter adorned with success. They share their inspiring visions on short films, its role as a creative space, and how they envision the future of this unique format.
A shared passion for short films
Eager to enrich their artistic journey, Slimane Dazi and Delphine Agut both evoke their unwavering attachment to short films. For Dazi, the short film represents above all a privileged experimental ground. He states: “It’s a completely different format from the feature film, where each project is a unique encounter with filmmakers of varied visions.” This approach allows him to explore original perspectives without the economic constraints often present in longer productions.
As for Agut, she made her debut in writing through short films and acknowledges that these experiences taught her a lot: “I was able to observe what worked or not, and learn to make mistakes. In this universe, it is easy to experiment without fear.”
Different paths but common goals
The paths of Slimane and Delphine, although distinct, converge on several points. Dazi, the author of close to a hundred short films, expresses his desire to explore varied roles, beyond the typical clichés of feature films. Indeed, he has portrayed very diverse characters, from a lawyer to a general, through to a lover. Conversely, Agut focuses on the depth of writing. She has taken creative risks that have been rewarded with prestigious awards, including a César. “The short film allows for an immediate impact that the feature film can sometimes not equal,” she emphasizes.
In their discussions, it becomes evident that they share a profound passion for art and a love for creative challenges. Each will also feel impacted by the transition from short to long, even if it is not always an automatic path.
The Clermont-Ferrand festival: a springboard for shorts
The Clermont-Ferrand International Festival is considered a true gravedigger for short films. According to Dazi, this event represents the Holy Grail for all filmmakers. “It is clear and distinct in terms of quality, and it is an honor to be selected.” Delphine shares this view and adds that the selection in Clermont was decisive in her career. “It’s a crucial moment, where the recognition allowed me to move forward.”
For them, the festival is not just a showcase. It is a place for exchanges where one breaks down barriers and forges connections. Doubts, ideas, everything blends in this creative effervescence. They converge in emphasizing that Clermont-Ferrand has helped them project into the future of shorts.
A critical look at the evolution of short films
Beyond their personal experiences, Dazi and Agut also analyze the global landscape of short films today. They note a certain evolution, where production remains freer than before, but where funding has become harder to access. Dazi states: “In France, we are relatively sheltered, but I fear that this freedom of expression is in jeopardy.” Agut echoes this sentiment, noting that it is currently complicated to find funding, despite the ease of production thanks to accessible technologies.
As the discussions progress, a common fear emerges that a certain formatting is settling in the industry, leading to a less bold vision of the works presented. “The struggle against this dynamic is vital,” concludes Dazi.
The future of short films: between dreams and perspectives
As new challenges in cinema arise, Dazi and Agut remain optimistic about the creative potential of short films. They believe that even though times are tough, there remains a space where ideas can flourish. The emergence of new voices is essential to shake up this digital landscape and advance the narrative art. “We must continue to believe in dreams, to meet audiences and talents,” asserts Agut passionately.
For many artists, and especially for them, the spirit of discovery is endless. Having the opportunity to write and direct a project, even a short one, remains a dream worth pursuing at all costs. In summary, the future of short films is anything but dull, and these artists remind us that the journey begins even before the first take.
The 48th edition of the Clermont-Ferrand International Short Film Festival was an opportunity to exchange ideas with emblematic figures from cinema, Slimane Dazi and Delphine Agut. Each, in their own way, provided valuable insights into their experience and vision of the short film.
Slimane Dazi, a recognized actor, emphasized the importance and richness of the short film in his career. According to him, this format offers unparalleled creative freedom, allowing for the exploration of unique characters and authentic exchanges with directors, without the usual constraints related to feature films. For him, the short is a true experimental space and a pathway to fundamental artistic encounters.
On her side, Delphine Agut, an award-winning screenwriter, shared her journey through short films, where she was able to develop her skills and explore varied themes. She discussed the very essence of the short: a format where one can make mistakes and learn. Her passion for the short continues to fuel her work, even though she is currently shifting towards longer formats. For her, the short film remains a formidable tool for direct and intense expression.
Their reflections highlight a shared truth: the short film is much more than a mere exercise in style. It is a platform that propels unique ideas and voices. As the cinematic landscape continues to evolve, it is clear that the short film deserves a central place in our culture, both for the audience and for the artists.
